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Arabic proverbs
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Proverbs
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«اِلْبَلَاوِي تتْسَاقِطْ مِنِ الْجِيرَانْ»
Trouble comes from the people next door.
The saying expresses the bitter irony of being harmed by those nearby, from whom one would normally expect protection, help, or at least harmless coexistence. It presents misfortune as especially painful when its cause is close at hand.
«هِزِّ فْلُوسَكْ وَلَا تْهِزِّ دَقْنَكْ»
Better to jingle your own coins than to wag your beard asking someone else for them.
The saying recommends managing your affairs so that, when an expense comes up, you have your own cash to pay with. Here money means cash in general, not any particular coin. Having your own funds on hand is presented as the dignified alternative to depending on other people's generosity.
«اِلْعِرْسِ يْبَانْ مِنْ لَمِّ الْجِلَّهْ»
You can tell what sort of wedding it will be by how much fuel is stored up for it.
The image is of a village household getting ready for a wedding by gathering dried cakes of dung mixed with straw to burn as fuel. The size of this stockpile gauges the celebration ahead: a small heap points to a modest affair, while a large one promises something grand.
«بَعْرَهْ وِيْقَاوِحِ التَّيَّارْ»
A mere speck of dung, yet it has the nerve to push back against the torrent.
The saying mocks someone of negligible strength who sets themselves against a far mightier force. Its image of a dung pellet caught in rushing water makes the resistance seem futile and ridiculous, so it belittles the challenger rather than admiring any courage they may show.
«اِلْمَشْنَقَةْ مَاتِتْ بِحَسْرِةْ مَدْيُونْ»
The gallows died of frustration over a debtor who slipped out of its reach.
The gallows is personified as an instrument of justice that has already taken its revenge by executing a killer, yet it dies of grief because a debtor escapes its penalty. This is figurative imagery, not a claim about how any legal system works. Debt was not punished by execution, so the saying concerns that particular gap.
«اِلْمَيَّهْ تِكَدِّبِ الْغَطَّاسْ»
Deep water will show whether the diver was telling the truth.
Bragging about expertise costs nothing, but a real trial exposes it at once. A man who calls himself a skilled diver proves or disproves the claim only when he enters deep water, which serves as the test rather than a hazard to fear: either he swims back up, or his pretense sinks with him.
«اِلشَّعْرِ الْمِضَّفَّرْ مَا يِتْخَبِّلْشْ»
Hair kept in a plait never ends up in knots.
The saying draws on a familiar domestic image: hair that has been plaited stays neat, while loose hair easily knots. Here the colloquial verb means becoming snarled, not its other sense of madness. The plait stands for any deliberate arrangement that keeps separate parts in place.
«تِضْرَبِ الْقُطَّةْ تخَرْبِشَكْ»
Hit a cat and it will claw back.
The saying warns that initiating wrongdoing may bring a matching response from the person who has been wronged. It presents retaliation as a consequence of provoking harm, rather than as an unexpected reaction.
«اِللِّي مَا تْرَبِّيهِ الْأَهَالِي تِرَبِّيهِ الْأَيَّامْ وِاللَّيَالِي»
What a family does not teach a person, life will eventually teach them.
When relatives indulge someone so greatly that their character goes astray, the passage of time can force a correction that family guidance failed to provide.
«جُوعَهْ عَلَى جُوعَهْ تِخَلِّي الصَّبِيَّهْ زُوعَهْ»
Go hungry time after time, and even a blooming girl turns haggard.
Something that seems bearable once becomes damaging when it keeps coming back. Repetition lends even a modest force a cumulative weight, so that sooner or later it is bound to leave a visible mark on whoever endures it.
«إِنْ كُنْتُمْ نِسِيتُمْ اِللِّي جَرَى هَاتُوا الدَّفَاتِرْ تِنْقَرَا»
If you have forgotten what happened, consult the records.
The saying addresses people who have forgotten or disregarded what happened, telling them to bring out the notebooks and read them. The notebooks stand for the record of the past, an image for revisiting earlier events rather than necessarily a reference to actual written documents.
«خَالِي خَالِ الْعِدَا خَالِي كَلِ الشحَامْ وِاللِّحَامْ وِانْدَارْ عَلَى حَالِي»
The proverb voices a grievance against a maternal uncle who should have been a protector but behaved like a foe. Eating the speaker's fat and flesh is a figure for consuming wealth, not physical harm; read as the uncle then turning back for what little remained, he takes everything the speaker owned, piece by piece.
«يِخْلَقْ مِنِ الشَّبَهْ أَرْبِعِينْ»
Every face has forty doubles out there.
The saying holds that resemblance between people is common and expected, since the creator, God as the verb's unstated subject, fashions many individuals sharing one likeness. The number forty is a conventional round figure for an indefinite abundance, not a literal count, so the point is that no face is unique and doubles are bound to turn up.
«عِيبِ الرَّد عَلَى صَاحْبُهْ»
When faulty goods come back, the shame belongs to the one who sold them.
Here الرد means goods handed back after purchase because a flaw came to light, not a reply or answer. When such an item is returned, no discredit attaches to the buyer who returns it. The fault lies with the seller who passed off defective goods, and that same seller is bound to take them back.
«رَاحِتِ السَّكْرَهْ وِجَتِ الْفِكْرَهْ»
Once the intoxication wears off, the reckoning sets in.
The saying describes the shift from agitation to reckoning. Intoxication here stands for any overpowering state, such as anger or recklessness, so the saying need not concern alcohol at all. While carried away, a person does not weigh their actions; once that surge fades, sober thought returns and brings the consequences into view.
«كُتْكُتْنَا وَلَا حَرِيرِ النَّاسْ»
Better the rough leftovers of our own flax than silk that belongs to someone else.
The saying ranks whatever a person truly owns above anything finer held by others. Even the coarse tow left over after one's own flax is combed is treated as worth more than silk in someone else's possession, because what is one's own carries a dignity that outside splendour cannot supply.
«زَيِّ بَرَاغِيتِ الْوِكَالَةْ يُحُطُّوا الرَّك عَلَى الْبَيَّاتَهْ»
Like fleas in a cheap inn, living off whoever comes to spend the night.
The saying pictures fleas in a wakāla, here a shabby lodging house for the poor rather than an agency. They have no host of their own and simply wait for each night's sleepers to arrive, then live off them. The image presents dependence on transient strangers as the whole basis of one's survival.
«اِلْجَارْ أَوْلَى بِالشُّفْعَهْ»
On its face, the saying names the neighbor as the party holding the stronger claim to pre-emption, a specific right of first claim to take something up before others can. It voices a traditional view of who deserves priority rather than endorsed advice.
«اِلْجَزَّارْ مَا يْخَفْشْ مِنْ كُتْرِ الْغَنَمْ»
A butcher is never daunted by the size of the flock.
Sheer numbers give no protection to those who cannot or will not resist. Someone practiced at overpowering a certain kind of victim knows from repeated experience that a large, passive crowd poses no threat, so a bigger group does nothing to shake that confidence. The butcher is not admired; the point is the helplessness of the many.
«حُمَارْ مِلْكْ وَلَا كْحِيلَهْ شِرْكْ»
Better a donkey all your own than a fine mare held in shares.
The saying ranks undivided ownership above shared ownership, even when the thing owned alone is plainly inferior. A lowly donkey that belongs entirely to you is judged better than a splendid purebred mare you must hold jointly with others, because sole possession brings freedom of use and avoids disputes.
«اِللِّي تْسَقَّفْ لُهْ يِجِي يُرْقُصْ»
Applaud someone, and they will come forward to perform.
People commonly respond in the way they are invited or encouraged to respond. The form of a request often helps determine the answer, cooperation, or behavior that follows; the image of applause and dancing is figurative, not necessarily about an actual performance.
«اِلسَّاعِي فِي الْخيرْ كَفَاعِلُهْ»
Whoever works to bring about a good deed shares the merit of the one who performs it.
The saying holds that effort spent on behalf of a good deed earns the same credit as performing it. Someone who works toward a kind act, urges it on, or helps make it happen stands on equal footing with the person who carries it out. A variant opening with 'the one who hastens' carries the same sense.
«مِنْ كُتْرِتِ اوْلَادُهْ قَل زَادُهْ»
The more children he had, the thinner his provisions grew.
The saying links a large number of children directly to a shrinking store of food and means. Every additional mouth draws on the same limited supply, so a household that grows in size tends to grow poorer in what each member can receive.
«اِللِّي تْطَبِّلْ لُهْ يُرْقُصْ»
People respond when they are given a reason and the means to act.
The proverb shifts attention from an absent result to what set that result in motion. Its drumming-and-dancing image is figurative: before faulting someone for standing back, consider whether anything was done to invite them into the matter or make participation possible.
«زَيِّ الْمُنْشَارْ، طَالِعْ وَاكِلْ وِنَازِلْ وَاكِلْ»
He's like a saw: he takes his bite on the way up and again on the way down.
The proverb describes a person who takes a personal profit from every step of their work. Like a saw cutting on both the upward and downward stroke, such a person never lets a transaction pass without keeping something for themselves. Here 'eating' means taking a cut or gain, not literal eating.
«اِللِّي فِي الْقَلْبْ فِي الْقَلْبْ يَا كْنِيسَهْ»
What is held inwardly does not disappear merely because it is not spoken aloud.
The saying stresses that silence and outward restraint do not necessarily alter a person's inner feelings. Resentment, loyalty, or conviction may remain unchanged beneath an appearance of calm or agreement.
«اِللِّي يْحِب نَفْسُهْ تِكْرَهُه النَّاسْ»
A person who is too taken with himself becomes disliked by others.
The saying warns that vanity and excessive self-satisfaction repel other people. Its reference to “loving oneself” is idiomatic here: it does not condemn healthy self-respect, but conceited self-admiration and preferring oneself over others.
«اِلسِّت وِالْجَارْيَهْ عَلَى صَحْنِ بِسَارْيَهْ»
Too many hands for a trivial job.
The saying pictures a mistress and her maidservant both busy cooking a single plate of small fish, of no particular kind. Two people laboring over so slight a dish makes the effort look far larger than the result deserves.
«يَاكُلْ وِيِشْرَبْ وِوَقْتِ الْحَاجَةْ يِهْرَبْ»
He's always there to eat and drink, but the moment he's needed, he's gone.
The saying condemns a person who enjoys the good things others provide, such as food, drink, and hospitality, yet disappears as soon as a real need arises. Such a person takes freely from a relationship but offers nothing in return when support is expected.
«اِلْقَبَّانِي شِرِيكِ الْمِحْتِسِبْ»
The man at the scales and the man who inspects them are in business together.
The proverb pictures the qabbani, who worked the public steelyard weighing goods, and the muhtasib, the traditional official supervising markets, weights, and trade conduct, as secret business partners. The inspector is not fooled; he lets tipped measurements slide because he takes a cut, so the safeguard meant to protect buyers becomes part of the swindle.
«اِللِّي يِرْكَب السَّفِينَهْ مَا يِسْلَمْشْ مِنِ الْغَرَقْ»
Anyone who takes to the ship must reckon with the chance of drowning.
Entering a risky undertaking means accepting that harm or failure remains possible. The proverb stresses exposure to danger, not the certainty of disaster.
«اِلْمِغَنِّي يِغَنِّي، وِكُلِّ مَنْهُو عَلَى مَعْنَاهْ يِسَالْ»
The singer sings, and every listener finds his own story in the song.
A performer offers words to everyone at once, yet each person in the audience seeks in them his own concern, bending the song toward private worries, hopes, or longings. The verb here means 'asks' or 'seeks,' not 'flows.' The listener's pleasure comes from that private reading, not the singer's intent.
«زَي نَخْلْ أَبُو قِيرْ دَكَرْ قُدَّامْ دَكَرْ»
Like Abu Qir's date palms, nothing but males lined up one after another.
The image is a grove crowded with male date palms, standing one beside another. The word for male here refers to the palms themselves, not to men. Male palms yield no fruit, so a stand made up mostly of them looks full and impressive yet gives almost no harvest.
«مَا خَلَّاشْ فِي الْقَنَانِي شَرَابْ»
The saying pictures a person who reached the bottles and drank until not a drop was left; the drink may be any beverage, not necessarily wine. It describes someone who, once they get hold of something, consumes or takes all of it and leaves nothing for anyone else.
«عَتَبَهْ زَرْقَهْ تُرُوحْ فِرْقَهْ تِجِي فِرْقَهْ»
An ill-starred doorstep: one crowd leaves, and another walks in.
The speaker tells the listener that they are not indispensable. If this person or group goes away, others will soon take their place, so the threat of departure carries no weight. The saying works as a shrug of indifference toward anyone who thinks their absence will be keenly felt.
«بَيِّنْ عُذْرَكْ وَلَا تْبَيِّنْ بُخْلَكْ»
If you must refuse a request, explain why rather than appearing miserly.
The saying recommends giving a reason when one cannot meet a request. Explaining the obstacle behind a refusal lets the other person understand that the answer arises from inability, rather than from a simple unwillingness to give.
«إِنْ كَانِتْ نَدِّتْ كَانِتْ نَدِّتْ مِنِ الْعَصْرْ»
Had rain been coming, its signs would have shown by late afternoon.
Events that truly occur, or are genuinely about to occur, usually leave earlier indications that allow people to infer what is coming. The saying rejects a claim when none of the expected preliminary signs can be seen.
«قَبْلْ مَا يْشُوفُوهْ قَالُوا: كْوَيِّسْ زَيَّ ابُوهْ»
They had already decided he was as fine as his father before they ever laid eyes on him.
The saying mocks people who issue a verdict before they have any evidence. They declare that someone takes after his father, and is just as good, without ever having seen him, so their judgment rests on expectation rather than observation. The father-and-son image is illustrative, not a literal comment on family resemblance.
«صَبَاحِ الْقُرُودْ وَلَا صَبَاحِ الأَجْرُودْ»
Better to start the day by seeing monkeys than by seeing a beardless man.
Two ways of opening the day are weighed here, and the speaker plainly picks one. Meeting monkeys at dawn is held up as the tolerable choice, while first catching sight of a man with no beard or moustache is treated as an ill omen. The two halves are linked by the rhyme of al-qurūd with al-ajrūd.
«يَا ابْنِي يَا مْهَنِّينِي، جِيتْ بِاللِّيلْ وِرُحْتْ بِاللِّيلْ»
My dear boy, you came in the dark and you left in the dark.
The saying rebukes a person who contradicts or dismisses a claim without any first-hand knowledge of the matter. Like someone who arrived after dark and left before daylight, they had no opportunity to observe what happened. That leaves them no real basis for passing judgment on it.
«فِرِغِ السَّلَامْ بَقَى التَّفْتِيشْ فِي الْأَكْمَامْ»
The greetings are barely done, and already they're poking into your business.
The picture is of visitors who exchange the expected greetings and then, the moment courtesy is satisfied, start searching one's sleeves, where small possessions might be tucked away in the wide sleeves of traditional garments, to see what they can find. The polite welcome turns out to be only the opening step before an inspection.
«اِلْحِسِّ سَالِكْ وِالزِّر بَارِكْ»
All voice and no getting up: loud of mouth, but stuck sitting on his backside.
The saying sets a lively, unobstructed voice against a body slumped on its tailbone and unable to rise. Here the word often read as 'sense' means audible voice, the word usually meaning 'button' means tailbone, and the verb pictures a kneeling camel couched on the ground, signaling immobility. Noise flows while the limbs stay still.
«يُومِ الْهَدَدْ مَا فِيهْش بْنَايَهْ»
A day spent tearing down is no day for building.
The saying points out that opposite efforts cannot bear fruit at the same moment. While something is being taken apart, it is pointless to look for anything to rise in its place; the work underway decides what the day can produce.
«زَيِّ الْخُنْفُسْ لَا يِتَّاكِلْ وَلَا يِتْلِعِبْ فِيهْ»
Like a beetle, good neither for eating nor for play.
The saying brands someone or something as completely without value. Just as a beetle, a stock image of something unappealing, is neither food nor a source of amusement, the target is pictured as failing on both fronts: it cannot be put to serious use, and it cannot even offer diversion.
«اِلْحَاجَهْ الدَّايْرَهْ مَا عَلِيهَاشْ نُورْ»
Whatever gets passed around everywhere loses its shine.
The saying holds that any thing constantly passed around, seen everywhere, or within everyone's easy reach loses its luster, meaning its charm or appeal rather than any literal light. Familiarity wears that glow away, so people come to treat it as ordinary and give it little regard.
«اِلشِّيءْ مَا كَانْ لُهْ رَبِّنَا دَلُّهْ»
It was never his by right, but God showed him the way to it.
The saying attributes a successful find to divine guidance rather than to the finder's own claim or effort. The object was not the person's by right, yet God led them to it and made reaching it easy, so the discovery is treated as an unearned gift.
«زَيِّ الْمَرَاكْبِيَّهْ مَا يِفْتِكْرُوشْ رَبِّنَا إِلَّا وَقْتِ الْغَرَقْ»
Just like boatmen, who only think of God once they start to drown.
The saying takes aim at people whose devotion depends on danger. It pictures boatmen, the sailors or rivermen who work the boats, forgetting God through ordinary days on the water and calling on Him only when the vessel begins to sink. The image belongs to the proverb and is not a fair verdict on real boatmen.
«سَدَّقِ الْكَدَّابْ لِحَدِّ بَابِ الدَّارْ»
Give a liar your belief only as far as the house door.
The saying tells the listener to believe a known liar, but only up to a set point, the door of the house. Credence is offered on a limited basis, neither withheld from the start nor extended without end.
«مُوتْ يَا حْمَارْ لَمَّا يْجِيكِ الْعَلِيقْ»
Go ahead and die, donkey, while you wait for your feed to come.
The saying sneers at a promise that keeps getting pushed back. Here لَمَّا means 'until,' not 'when,' and العَلِيق is animal fodder: the donkey will be dead before the promised feed arrives. Help that is always about to come is useless to someone who cannot survive the waiting.
«اِلْفَاجِرْ يَاكُلْ مَالِ التَّاجِرْ»
The brazen always help themselves to the merchant's money.
The saying observes that whoever is shameless and strong enough to lay hands on other people's property usually ends up consuming it; 'eating' wealth is the ordinary Arabic idiom for appropriating it. The brazen one is the bold, capable grabber rather than simply a dissolute person, and nerve, not rightful claim, settles who prospers.