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Arabic proverbs

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Proverbs

Every proverb in this language, a page at a time.

  • «وِش بَشُوشْ وَلَا جُوهَرْ بِمَلْوِ الْكَف»

    Better a smiling face than a handful of jewels.

    The saying ranks a kind, welcoming face above material wealth. Being received with a smile and genuine warmth is worth more to the speaker than a palmful of precious stones, an image of large and costly abundance.

  • «طَوِّلِ الْغِيبَهْ وِجْهْ بِالْخِيبَهْ»

    Away for ages, and back with nothing to show for it.

    The saying mocks a person whose long delay ends in nothing. Here وجه is a colloquial form of 'came', not the noun 'face'. A lengthy absence raises hopes of real accomplishment, so returning without results feels doubly disappointing: time was lost, and the expected gain never arrived.

  • «بَعْرِ السِّوِيسْ وَلَا رُطَبْ بِلْبِيسْ»

    Better dung in Suez than fresh dates in Bilbeis.

    The proverb says that an austere, meagre existence is preferable when it is safe. Material comfort loses its appeal if gaining or retaining it exposes a person to serious danger; its deliberately unappetizing and desirable foods sharpen that contrast.

  • «زَيِّ بِرْكِةِ الْفِسِيخْ كُتْرَه وْنَتَانَهْ»

    Like a pit of curing salted fish: a huge heap, and all of it reeking.

    The saying pictures the pit where fesikh, a pungent Egyptian salted fermented fish, is buried to cure: the more fish piled in, the worse the stench rising from it. Sheer quantity brings no benefit, only a heavier reek, so crowding and foulness grow together.

  • «اِلنُّجُومْ فِي السَّمَا أَقْرَبْ لَكْ»

    You'd have an easier time reaching the stars.

    The saying marks a goal, object, or hope as practically unattainable. The thing sought is left unnamed; by claiming the distant stars lie nearer to the listener than whatever they are reaching for, it uses deliberate exaggeration to say the desired outcome is even further off than the most remote thing a person can see.

  • «قُولِةْ هِش تِرَبِّي الْغِش»

    Keep shouting 'shoo' at a beast and you'll make it sick.

    The image comes from tending animals. 'Hish' is the sharp cry used to shoo away birds or drive beasts, and 'ghish' is a local name for a livestock sickness that can kill, not the similar-looking word for cheating. The saying claims that constantly startling an animal gradually breeds illness in it.

  • «عَشَرِةِ اللِّيلْ تِسْعِينْ»

    By night, ten looks like ninety.

    Darkness hides the true measure of things, so whatever is seen at night tends to look far bigger, more numerous, or more serious than it is. Ten and ninety are figurative, not exact counts: a modest amount seems enormous when it cannot be examined. The first word means "ten," not the similar word for companionship.

  • «قِلِّتْهُمْ تِحْوِجْ»

    When the money runs low, you end up having to lean on others.

    The proverb makes a plain observation: when the money a person holds starts to run short, that person soon comes to depend on others in order to get by.

  • «ضَرَبْ وِبَكَى وِسَبَقْ وِاشْتَكَى»

    He threw the first blow, then started crying, and ran off to complain before anyone else could.

    The saying describes an aggressor who plays the victim. Having physically struck someone, he bursts into tears and hurries off to lodge a complaint, so that his version reaches listeners first and the person he wronged appears guilty. Though the fixed wording is masculine, it applies to anyone.

  • «لَا فِي السُّنَّهْ وَلَا فِي الْفَرْضْ»

    It is neither a required duty nor even a recommended one.

    The saying borrows two familiar categories from Islamic practice: fard, a binding obligation, and sunna, a practice associated with the Prophet’s example. By placing something outside both, it dismisses that thing as unimportant. This is colloquial figurative language about indifference, not a comprehensive classification of its religious status.

  • «يَابَا قُومْ شَرَّفْنَا. قَالْ: لَمَّا يْمُوتِ اللِّي يِعْرَفْنَا»

    "Dad, come on, make us look distinguished!" He answered: "Sure, once everyone who knows us is dead."

    The saying mocks attempts to claim high standing while witnesses to one's ordinary origins are still around. A child urges the father to raise the family's prestige, and the father answers that this can only happen once everyone who knows them has died. The plural "us" frames honor and origins as the family's, not one person's.

  • «اِللِّي يِطْلَعْ مِ الرَّاسْ يِوْصَلِ النَّاسْ»

    A secret spoken aloud will soon become known to others.

    The saying urges discretion: a thought or secret remains private while it is kept to oneself, but once spoken, it may travel beyond the intended listener and become widely known.

  • «بِدَالْ مَا أَقُولْ لِلْعَبْدْ يَا سِيدِي، أَقْضِي حَاجْتِي بْإِيدِي»

    I would rather handle my own affairs than lower myself by begging someone else for help.

    The saying rejects help obtained only by speaking or behaving in a servile, self-abasing manner. The speaker chooses personal exertion, however burdensome, rather than submit to another person in order to secure a favor.

  • «يُومْ فِي الْعَافْيَه كْتِيرَهْ»

    A single day of good health and ease is already plenty.

    Even one day spent in well-being, meaning health, safety, and freedom from hardship together, is a generous gift. The saying asks the listener to recognize such a day as abundance in itself rather than as something ordinary or owed.

  • «اِلْعِرْسْ بِزَوْبَعَهْ وِالْعَرُوسَهْ ضُفْدَعَهْ»

    All that uproar for the wedding, and the bride turns out to be a frog.

    The saying mocks a lopsided response: a huge commotion surrounds something that, on inspection, is small and unappealing. The wedding's figurative whirlwind, a loud stir rather than a storm, stands for publicity and excitement. The frog-like bride stands for the modest or unattractive object that hardly deserves any of it.

  • «كُنْتِ فِينْ يَا لَأْ لَمَّا قُلْتَ انَا آهْ؟»

    So, No, where were you hiding when I said yes?

    The saying mocks complaints that come too late. Someone agreed to something without paying attention and now protests about the result. The speaker imagines refusal as a person who stayed away when the yes was spoken, and asks why that objection said nothing back then.

  • «اِلضِّحْكْ عَ الشَّفَاتِيرْ وِالْقَلْبْ يِسْبُغْ مَنَادِيلْ»

    The lips may be laughing while the heart's grief is dark enough to dye handkerchiefs.

    The saying warns that a cheerful face can be a mask. Someone may smile and laugh outwardly while carrying a sorrow so heavy and dark that, in the proverb's figurative image, it could dye cloth; the image describes hidden grief, not actual cloth or any craft. Outward merriment is no proof of inner contentment.

  • «بَعْدِ أُمِّي وُاخْتِي اِلْكُلِّ جْرَانِي»

    Other than my mother and sister, the rest of my family are no closer to me than neighbors.

    This saying voices a speaker’s hurt at the lack of affection or concern shown by other relatives. It sets a mother and sister apart as caring figures, while the remaining family members seem emotionally remote.

  • «ضِحْكُوا عَ السَّقَّا حَسَبُهْ مِن حَقَّا»

    They fooled the water-carrier, and he thought they meant it.

    The saying pokes fun at a gullible person; the water-carrier appears mainly for the rhyme, not as a judgment on his trade. Others spin a story or play a joke at his expense for amusement, but he misses the mischief and accepts every word as sincere, unable to tell jest from a real claim.

  • «اِلْبَاطِلْ مَالُوشْ رِجْلِينْ»

    Falsehood never gets far.

    Untruth is personified here as a body without limbs, stranded in place. Anything resting on deception, the image implies, lacks the basic equipment for getting anywhere, so a lie cannot be expected to carry a claim or a scheme very far.

  • «يَا جَالْ يَا جَالْمَدِي»

    It'll either come off or it won't.

    The phrase describes an outcome that is truly undecided: the hoped-for result may arrive or it may not, and nobody can say which. It refuses to predict and simply lays out both possibilities side by side, admitting that the matter is beyond the speaker's control.

  • «اِلْكِتَابِ انْكَتَبْ وِالْمَهْرْ عَلَى الله»

    The marriage papers are signed; as for the bride-price, God will provide.

    The written marriage contract has been concluded, but the mahr, the payment the groom owes the bride, is still unpaid. The speakers trust God to make it possible; they do not expect God literally to pay. The image is of a commitment made on paper while its heaviest burden is deferred and left to hope.

  • «مِينْ يِعْرَفْ عِيشَهْ فِي سُوقِ الْغَزْلْ»

    Who could pick out Aisha among all the women at the yarn market?

    The saying claims that a dense crowd swallows individuals. Picture one woman, Aisha (here in the colloquial form 'Aisha'), standing for any ordinary person, among the many women who bring spun thread to the yarn market to sell. Nobody there can pick her out. Wherever many gather, one person disappears.

  • «اِلرَّقْصْ نَقْصْ»

    Dancing is a shortcoming.

    The saying condemns dancing outright. It files the act under failings, treating it as something defective or wanting rather than as harmless pleasure, and it delivers this verdict as plain fact without offering any reason.

  • «اِلْغَلَطْ مَرْدُودْ»

    An honest mistake can always be put right.

    The saying holds that an honest error carries no lasting guilt, because once someone points it out it can be taken back and set right, not merely overlooked. What deserves reproach is a deliberate act, not an accidental slip made without intent.

  • «إِيش لَكْ فِي الْحُبُوبْ يَا جَعْبُوبْ؟»

    Why are you meddling in the harvest, you worthless hanger-on?

    This is a rebuke to someone who intrudes into business that belongs to others, especially when they have no recognized stake in it. The question implies that the person is pushing into a discussion or benefit from which they are excluded.

  • «اِللِّي لُهْ ضَهْرْ مَا يِنْضِرِبْشْ عَلَى بَطْنُهْ»

    A person with someone behind him is not easily attacked.

    The “back” is figurative: it means a protector or dependable support, such as someone influential whom a person can rely on. A person with that backing is less likely to be openly mistreated, because an aggressor expects consequences.

  • «لَا بِر وَلَا هْدُو سِر»

    No good comes to us, and no peace of mind either.

    The saying describes a doubly unlucky state. The speaker receives no kindness, favor, or material good from others, and at the same time enjoys no settled mind. Both possible consolations, outward benefit and inward ease, are missing.

  • «يِعْمِلِ الْحَبَّهْ قُبَّهْ»

    He turns a tiny grain into a whole dome.

    The expression describes a person who takes something trivial and treats it as weighty and serious. A tiny matter, no bigger than a single grain, seed, bead, or pill, is built up in their telling until it looms as large as a domed building; the image rests on that contrast between a small round object and a great dome.

  • «مُوشْ كُل مَرَّهْ تِسْلَمِ الْجَرَّهْ»

    The jar won't come through unbroken every single time.

    A fragile earthenware jar that survives one knock or fall has simply been lucky, and that luck is no promise for the next time. The saying turns this everyday image into a warning that a single lucky escape proves nothing about what will happen when the same risk is faced again.

  • «اِلْمَيَّهْ لَمَّا تُقْعُدْ فِي الزِّيرْ تِعَطَّنْ»

    Water left standing too long in the jar turns foul.

    Even water, welcome and necessary, turns stale and foul-smelling when left standing too long in the zir, the large earthenware vessel that holds a household's drinking supply and is expected to be refreshed. The saying uses this image of decay to argue that anything kept static too long tends to sour.

  • «مِنْ لَقَى بِيتْ مَبْنِي لَقَى كِيسْ مَرْمِي»

    Coming across a house already built is like picking up a purse of money someone dropped.

    The saying treats buying a house that already stands as a stroke of luck, like picking up a dropped money bag: an honest windfall, not a theft or a free seizure of property. A seller rarely recovers the full cost of construction, so the buyer gains value that someone else paid for in money and effort.

  • «اِللِّي يِزْرَعْ مَا يْخَافْشْ مِنِ العَصْفُورْ»

    Whoever plants need not be afraid of the sparrow.

    Someone able to carry out a task should not abandon it merely because of an obstacle they can also handle. The saying presents determination as practical confidence: a foreseeable problem, like the sparrow in its image, need not stop the undertaking.

  • «كِدْبِ مْسَاوِي وَلَا سِدْقِ مْبَعْزَقْ»

    Better a lie that hangs together than a truth that comes out in pieces.

    The saying ranks a false account whose parts fit neatly together above a true account told in a disjointed, jumbled way. It suggests that listeners tend to judge a story by how smoothly it connects rather than by whether it actually happened.

  • «فَوِّتْ كِلْمَه تْفُوتَكْ أَلْفْ»

    Let one harsh word slide, and you will be spared a thousand more.

    When someone throws a hurtful word at you, the wise move is to let it drift past without answering. Ignoring that single remark spares you the many harsher words that would follow if you struck back; the 'thousand' is hyperbole, not a literal count.

  • «اِلنَّارْ وِالْحَرِيقْ وَلَا انْتَ فِي الطَّرِيقْ»

    I'd sooner face fire and flames than run into you on the road.

    A cutting expression of aversion toward someone whose company has become a steady source of grief. By choosing flames and burning over a chance meeting, the speaker declares that this person wounds more deeply than any physical calamity could.

  • «اِلْعِرْيَانْ فِي الْقَفْلَهْ مِرْتَاحْ»

    In a caravan, the one with nothing to his name rests easiest.

    A person who owns almost nothing travels lightly. With no baggage to load and unload and no goods that robbers might seize, the destitute traveler in a caravan escapes the toil and anxiety that burden companions who carry property.

  • «سَبَعْ صُنَعْ فِي إِيدِيهْ وِالْهَم جَايِرْ عَلِيهْ»

    He has seven trades at his fingertips, and still hardship keeps crushing him.

    The proverb describes someone who has mastered many trades yet remains poor and unlucky. Seven stands for many skills, not an exact count. Skill and effort are plainly present, but fortune keeps turning against the person, so no ability brings relief.

  • «مَا حَدِّشْ يُقُولْ عَنْ عَسَلُهْ: حَامِضْ»

    No one calls their own honey sour.

    Owners do not disparage what belongs to them. Just as no keeper of honey would describe his own as sour, a person speaks well of the things in his keeping rather than calling them bad.

  • «اِللِّي يِعْمِلْ إِيدُهْ مَغْرَفَهْ يُصْبُرْ عَلَى ضَرْبِ الْحِلَلْ»

    If you put yourself into the work, be ready for the knocks that come with it.

    The proverb advises a person who voluntarily takes on a task or enters an affair to accept the unpleasant consequences that may follow. Its image of a hand serving as a ladle and striking pots is figurative, not literal.

  • «بِينِ الْبَايِعْ وِالشَّارِي يِفْتَحَ اللهْ»

    May God open a way between buyer and seller.

    The expression leaves room for further negotiation when an offered price is not acceptable. It presents continued bargaining as a legitimate part of reaching terms between the two sides.

  • «سِكِّةْ أَبُو زِيدْ كُلَّهَا مَسَالِكْ»

    On Abu Zayd's road, every way gets you through.

    The image draws on Abu Zayd, a Hilali horseman from a familiar folk tale who is remembered for his courage. Rough or frightening ground never held him back, so any road he took was effectively open. To call something his road is to say that nothing on it truly blocks the way forward.

  • «جَالَكِ الْمُوتْ يَا تَارِكِ الصَّلَاهْ»

    Your death is at the door, you who skip your prayers.

    Taken at face value, the line addresses someone who has stopped praying, a grave lapse in religious terms, and tells them that death now stands before them. The tone is stark and final, as if the hour they ignored has caught up with them at last.

  • «عَاوِزِ الْحَق وَالَّا ابْنِ عَمُّهْ؟»

    Are you after the real truth, or just something that passes for it?

    The saying sets the truth itself against a close relative of it, a 'cousin' that shares a family likeness yet is not the same thing. It separates genuine fact from a plausible imitation that only resembles the real answer and can be mistaken for it.

  • «اِللِّي يِضْرَبِ الرِّجَالْ مَا يْعِدِّهُمْشْ»

    A man who can face opponents does not stop to count how many there are.

    The saying mocks someone who boasts of courage but becomes preoccupied with the number or strength of opponents when a real confrontation approaches. Genuine bravery is presented as steadiness in action, not loud claims made beforehand.

  • «إِنْ حَلَقْ جَارَكْ بِلِّ انْتَ»

    When your neighbor is getting shaved, prepare for your own turn.

    The saying advises people to notice what happens to those around them and draw a practical lesson from it. Another person’s experience can signal a danger or difficulty for which one should begin preparing.

  • «زِيَادْةِ الْخِيرْ خِيرِينْ»

    More of a good thing is a double blessing.

    The saying holds that adding to something already good can only make things better. Its key word spans goodness, blessing, bounty and plenty, so extra good fortune, kindness or abundance is never seen as harmful. Each further portion counts as a fresh blessing; a variant speaks of 'another good' rather than 'two goods' with the same sense.

  • «مَا يِقْطَعْشْ بِالْحَشَّاشِينْ، يِفْرَغِ الْعِنَبْ يِجِي التِّينْ»

    The hashish crowd never goes without: when grape season is over, along come the figs.

    The saying claims that certain people are never left wanting, as if some unnamed fortune looks after them. Hashish-eaters, drawn here from a stock image of their sweet tooth, find a new fruit ripening the moment the last runs out, so every craving meets the next convenient supply.

  • «اِلْفَرَحِ الدَّايِمْ يِعَلِّمِ الرَّقْصْ»

    A celebration that never ends will teach anyone to dance.

    The saying points to the way lasting conditions mold a person. Someone who spends night after night amid wedding festivities is eventually swept up by the music and begins to dance, even without having set out to learn.

  • «رَاحِتِ النَّاسْ وِفِضِلِ النِّسْنَاسْ»

    The worthy ones have left, and only the dregs remain.

    The saying laments a falling-off in the quality of the people one lives among. It holds that the good and useful have gone away, while those who are base and contemptible, contemptuously labeled nisnas, are the ones still left in their place.

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