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Arabic proverbs

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Proverbs

Every proverb in this language, a page at a time.

  • «قُصْرِ الْكَلَامْ مَنْفَعَهْ»

    Keeping your words few pays off.

    The proverb holds that brevity of speech, rather than total silence, brings real advantage. Few words leave less room for error, offense, or boredom, and a point stated plainly tends to land more clearly than one buried under elaboration.

  • «كُل شِيءْ فِي أَوِّلُهْ صَعْبْ»

    Every undertaking is hardest at the start.

    The saying holds that any task feels hardest when first attempted, because the newcomer has not yet built habits around it and does not fully know what it demands. The difficulty belongs to the starting point rather than to the work itself.

  • «عَادْتِكْ وَالَّا اشْتَرِيتِيهَا؟ قَالتْ: عَادْتِي وِطُولْ عُمْرِي فِيهَا»

    "Were you always like this, or did you pick it up somewhere?" She answered, "It's always been my way; I've lived with it my whole life."

    The exchange stages a short interrogation of a woman about one of her traits; the feminine verb and pronoun forms mark the addressee, so applying it to a man changes the grammar. The questioner asks whether the trait is long habit or recently acquired, as if purchased. She replies it has been hers all her life.

  • «إِنْ شَاءَ اللهْ اِللِّي خَدْهَا يِنْدِبِحْ بَهَا، قَالْ: إِيشْ عَرَّفَكْ إِنَّهَا سِكِّينَةْ؟!»

    “I hope the thief gets killed with it.” “Then how did you know the stolen thing was a knife?”

    Traditionally framed around a thief who betrays himself, the saying exposes someone who tries to sound innocent but accidentally reveals knowledge that only the guilty person should possess. Their own response supplies the clue that identifies them.

  • «اِلْبَرَكَهْ تَحْتِ الْفَلَكَهْ»

    The true yield becomes clear only after the grain has been threshed.

    Do not judge a harvest by what appears at reaping. The image is of threshing discs: the real yield may emerge only after the crop has been fully processed, so anxiety about apparent scarcity can be premature.

  • «اِللِّي تِوْلِدْ فِي مَكَّةْ تِجِيبْ أَخْبَارْهَا الْحُجَّاجْ»

    News of something distant will eventually reach people when travellers arrive.

    The image is of a woman giving birth in distant Mecca, whose news is carried back by pilgrims. It conveys confidence that a matter hidden merely by remoteness will become known when circumstances create a route for information to travel.

  • «تِعَاتِبِ الْعَوِيلْ تِغْلَض وِدْنُهْ»

    Rebuking a contemptible person only makes them less willing to listen.

    The saying warns that criticism does not always correct bad conduct. When someone is portrayed as stubborn and unreceptive, reproach may meet resistance rather than reflection, making that person still less willing to listen.

  • «جُمْ يِحْدُوا خِيلِ الْبَاشَا مَدِّتْ أُمِّ قْوِيقْ رِجْلَهَا»

    When they set about shoeing the Pasha's horses, the owl stuck her foot out toward them.

    Grooms are busy fitting iron to the Pasha's fine horses when a small owl offers her own leg, as though the occasion had anything to do with her. The contrast between the grand mounts and the little bird makes her gesture absurd.

  • «اِلْحَقِّ اللِّي وَرَاهْ مِطَالِبْ مَا يْمُوتْشْ»

    A right never dies as long as someone keeps demanding it.

    A claim stays alive only while someone actively pursues it. Here ḥaqq means a right or something owed, not abstract truth. As long as a person keeps demanding what is owed, the right cannot be erased, however long the delay or however strong the resistance.

  • «قُطْعِتِ الْعِيرَهْ لَو كَانِتْ لُامِّي تِقَلَّعْهَا لِي مَا تِخْتِشِي مِنِّي»

    Damn borrowed things! Even if my own mother were the lender, she would take it back from me without any embarrassment.

    The saying holds that a borrowed item never truly belongs to the person using it. Even the closest possible lender, pictured here as one's own mother, will reclaim what she lent and feel no awkwardness toward the borrower in doing so.

  • «اِللِّي تْخَافْ مِنُّهْ مَا يْجِيشْ أَحْسَنْ مِنُّهْ»

    What you dread may prove better than you expect.

    The proverb cautions against treating fear as an accurate forecast. A situation that appears threatening in advance can unfold differently from the harm a person had imagined, so anxious expectations should not be mistaken for certainty.

  • «مَطْرَحْ مَا تِرْسِي دُقِّ لْهَا»

    Wherever your boat happens to come ashore, stake it down right there.

    The saying pictures a vessel, implied by the wording rather than named, that comes to rest at some unplanned spot, and tells its owner to hammer in stakes and secure it right there. It counsels accepting the place or condition that destiny has assigned, rather than fighting outcomes one cannot control.

  • «مَكْسُورْ مَا تَاكْلِي، وِصْحِيحْ مَا تِكْسَرِي، وِكُلِي يَا امْرَاةِ ابْنِي لَمَّا تِشْبَعِي»

    Don't eat the broken pieces, don't break the whole loaves, and eat your fill, my son's wife.

    A mother-in-law tells her son's wife not to eat the broken pieces and not to break the whole loaves, then urges her to eat until she is full. Bread is implied rather than named. The closing invitation is ironic, since the two bans leave nothing to eat.

  • «عَنْدُه بضَاعَهْ وِالنَّاسْ جَوَّاعَهْ»

    He's got goods to sell, so he acts as if the whole world is starving for them.

    The saying pokes fun at a person who is puffed up about his own possessions. He acts as if he alone holds the goods everyone needs, and as if the people around him were starving and had to come to him for their daily bread. That hunger exists only in his own imagination.

  • «مَا كُل مَنْ صَفَّ الْأَوَانِي قَالْ: أَنَا حَلَوَانِي»

    Setting out the dishes doesn't make you a sweet-maker.

    The saying separates looking the part from having real skill. A sweet-maker's shop may be full of neatly arranged dishes, but setting out dishes is the easy, visible part. The actual craft of making sweets is something else, and copying the display gives no claim to it.

  • «جِبْنَا سِيرِةِ الْقُط جهْ يُنُط»

    No sooner had we mentioned the cat than in it jumped.

    The saying captures a timely coincidence: the very subject of a conversation appears at the moment it is being discussed, as though naming it had been enough to summon it on the spot.

  • «كُل عُرْمَهْ وِلَهَا قَصَلَهْ»

    No harvest pile is without its rough stalks.

    The saying holds that nothing comes entirely pure. Any large gathering of good things will carry some inferior part with it, just as a heap of fodder on the threshing floor always leaves coarse, stalky residue behind after it is gathered.

  • «اِلْعِيبْ مِنْ أَهْلِ الْعِيبْ مَا هُوشْ عِيبْ»

    Disgrace from the disgraceful is no disgrace.

    Faults or disgraceful conduct from people known for them surprise no one. The saying does not excuse the wrongdoing; it denies that the act is shocking, because the offenders' reputation already predicts it. Nobody treats it as a fresh scandal.

  • «اِللِّي عَنْدُهْ حِنَّهْ يِحَنِّي دِيلْ حُمَارُهْ»

    If it is yours to use, you may use it as you please.

    The proverb expresses the idea that someone who possesses or controls something may decide for themselves what to do with it. Having the means places the choice in that person’s hands.

  • «سِيفِ السَّلْطَنَهْ طَوِيلْ»

    The ruler's sword reaches everyone, near or far.

    The saying holds that the power of those who govern, meaning ruling authority or the state in general rather than any named monarch or dynasty, has no practical limit of distance. Whether a person stands close to the seat of authority or lives far from it, that power can strike just the same, so physical remoteness is no shelter.

  • «اِللِّي إِيدِي مَا هِي فِي مَرْجُونْتُهْ لَا عَلَى بَالِي مِنُّهْ وَلَا مِنْ جُودْتُهْ»

    If I have never needed to ask someone for anything, neither that person nor their generosity matters to me.

    The speaker rejects a would-be benefactor’s self-importance: because the speaker has never needed to reach into that person’s basket or provisions, that person cannot claim credit, gratitude, or superiority for generosity.

  • «عُمْرِ الْحَسُودْ مَا يْسُودْ»

    A jealous person never gets to the top.

    The saying holds that a person consumed by envy will never rise to genuine leadership or high standing; its opening word works as an emphatic 'never', not a remark about age. Envy is treated as a symptom of a cramped spirit and low aspirations, at odds with the largeness of soul expected of anyone who would lead.

  • «قَبْلْ مَا تْفَصَّلْ قِيسْ وِقَبْل مَا تِلْبِسْ رِيسْ»

    Measure before you cut, and make yourself worthy before you wear it.

    The saying urges careful assessment before any irreversible step. Just as a tailor checks the measurements before the scissors touch the cloth, a person should weigh a matter thoroughly before committing to it, since a hasty cut cannot be undone.

  • «اِللِّي يِعْمِلْ بُهْ الْجِدْيْ يِعَلَّقْ بُهْ الْحُمَارْ»

    The goat’s earnings end up feeding the donkey.

    The saying describes earnings that are consumed by the costs tied to producing them: money comes in, but expenses absorb it before it yields any real benefit.

  • «اِلْفِلْفِلْ بِالْوِقِيَّهْ وِالْجِيرْ بِالْقِنْطَارْ»

    Pepper is sold by the ounce, but lime goes by the hundredweight.

    The proverb praises a darker, brownish complexion. Pepper is dark yet precious, sold in small, carefully weighed amounts; white lime, the building material used in mortar, is plentiful and sold in bulk. The traditional weights mark this small-versus-bulk contrast rather than exact measures. Darkness signals preciousness, and whiteness ordinariness.

  • «قَاعِدْ يِنِش»

    He just sits there swatting flies.

    The saying describes someone who is completely unoccupied. His only activity is brushing flies away, which makes this pointless motion a picture of empty hours and a lack of any real work.

  • «مِنْ جِرَابَكْ مَرْحَبَا بَكْ»

    Welcome, and help yourself to what was yours all along.

    The saying mocks a false benefactor: someone takes hold of another person's money or goods, then hands part of it back with a show of generosity, expecting thanks. The 'welcome' is ironic, not sincere hospitality, because everything given came out of the receiver's own bag. In Arabic the two halves rhyme on a closing -bak sound.

  • «قِلَّه وْعَامِلْ قَنَاطَهْ»

    So little of him, and yet such airs.

    The expression mocks a person who is small, whether in build or in importance, yet behaves with pride and a sour, scowling manner toward others. Here smallness means slight size or stature, not scarcity. The joke lies in the mismatch: there is so little of them, yet they act as though they tower over everyone.

  • «اِللِّي تِكْرَهُهْ إِنْتَ يِحِبُّهْ غِيرَكْ»

    What one person rejects may be just what another person wants.

    A personal dislike does not settle the value of the thing disliked. What seems unappealing or unsuitable to one person can be regarded positively by somebody else.

  • «قِل مِ النَّدْرْ وِاوْفِي»

    Vow little, and keep what you vow.

    The saying advises anyone making a vow, a solemn pledge that binds once made, to keep it small and then honor it fully. A modest pledge that is actually carried out is presented as far better than a grand one that the person later cannot fulfill.

  • «اِلْمِعَدِّدَه تْعَدِّدْ وِكُلِّ خَزِينَهْ تِبْكِي بُكَاهَا»

    The mourner sings her lament, and every woman present cries over her own loss.

    At a funeral the hired mourner, in a lament traditionally performed by women, recounts the qualities of the dead and the weight of the loss. Each woman sitting in the gathering, moved by that lament, weeps for the one she herself has lost, so a single mourning occasion holds many separate griefs.

  • «الْحَيَا فِي الرِّجَالْ يُورِثِ الْفَقْرْ»

    A man who is too shy ends up poor.

    The saying warns that a man who is too shy to claim what belongs to him, or too timid to act when hesitation is costly, will end up the loser. Here الحيا means bashfulness, not life or rain. His reluctance lets rights slip away and closes off chances to earn a living.

  • «عَلَى مَا تِتْكَحَّلِ الْعَمْشَهْ يُكُونِ السُّوقْ خُرُبْ»

    By the time the unlucky one is finally ready, the market has already packed up.

    The saying is aimed at a person whose bad luck never seems to lift. Whatever such a person sets out to do, misfortune comes along too, so their efforts keep ending in disappointment rather than reward.

  • «زَي زِيتِ الْغَارْ كُلُّهْ مَنَافِعْ»

    As useful as laurel oil, good for everything.

    The saying praises something whose usefulness runs through every part of it. Al-ghār here is the bay laurel tree, not the similar-looking Arabic word for a cave. Its oil was traditionally prized as a remedy for many complaints, so the person or thing compared is treated as wholly beneficial, with nothing wasted.

  • «لَا بَصَلْتَكْ وَلَا عِينِي تِدْمَعْ»

    Keep your onion, and my eyes will stay dry.

    The onion stands for a modest favor or gift, and the streaming eyes for the distress that comes along with it. The speaker says they would rather lose the small benefit than suffer the sting that always arrives with it.

  • «اِلْعَقْلْ زِينَهْ لِكُلِّ رَزِينَهْ»

    Good sense is the finest jewel a steady, dignified woman can wear.

    The saying ranks sound judgment as a kind of ornament, placing it alongside the jewelry or finery usually valued for display. It suggests that real distinction comes from a calm, thoughtful character rather than outward decoration, and that intelligence shows best in someone who carries herself with poise.

  • «نَارِ الْقَرِيبْ وَلَا جَنِّةِ الْغَرِيبْ»

    Better to burn with your own kin than to live in paradise with a stranger.

    The saying states a firm preference for a relative over a stranger. By ranking the relative's fire above the stranger's paradise, it holds that kin should be chosen over an outsider even when the comparison seems to favor the outsider.

  • «كَمْ مِنْ صَغِيرِ اتْنَشَى بَاسِ الْكِبِيرْ إِيدُهْ»

    Many a little one has grown and risen until the big one kissed his hand.

    The saying observes that someone who starts out small can grow up and excel, rising so far that the one who was once bigger ends up kissing his hand. It describes a reversal in which the lesser party becomes the one shown honor.

  • «اِلرَّحَى مَا تْدُورْ إِلَّا عَلَى قَلْبْ حَدِيدْ»

    A millstone only turns on an iron core.

    A grinding stone keeps turning only if the pin at its center, called its heart, is made of something unyielding, like iron. Here heart means that central pin, not emotion. All the motion at the rim depends on a hidden core sturdy enough to carry the load.

  • «مِنْ عِجْبَكْ يَا فَتَى تِلْبِسْ هُدُومِ الصِّيفْ فِي الشِّتَا»

    Vanity has you wearing summer clothes in the middle of winter, young man.

    The saying mocks someone who puts on summer clothing in the middle of winter and presents this as a sign of refinement or smartness. The ridicule lies in the gap between the act and the season, since the clothes suit one time but are worn when they make no sense.

  • «قَالُوا: يَا جُحَا، كَلْبَكْ بِالسُّخُونَهْ. قَالْ: أَهُو فَاضِي لْهَا»

    "Juha, your dog has come down with a fever!" "Let it be; it has nothing better to do anyway."

    The saying shrugs off another person's misfortune as a fitting occupation for them. In the joke, the stock comic figure Juha hears that his dog has a fever and replies that the idle animal is free to spend time on it. The line works as a punchline, not as real indifference to an animal's suffering.

  • «اِلْمِبَشَّهْ وَلَا أَكْلِ الْعِيشْ»

    A warm and smiling welcome is worth more than a meal.

    The saying places a friendly, cheerful reception above the food a host provides. What it praises is a smiling, open manner of receiving someone, not any set greeting formula. Bread stands for food and hospitality in general: a bright face and a glad welcome nourish a guest more truly than anything set on the table.

  • «اِلْعِينْ مَا تِكْرَهْشِي إِلَّا احْسَنْ مِنْهَا»

    People only resent those who outshine them.

    Here 'the eye' means the person who watches and compares, not the evil eye unless context clearly signals it. The proverb holds that resentment points upward: what stirs dislike is someone whose position, fortune, or qualities surpass the onlooker's own. A variant says 'higher' rather than 'finer', stressing rank or status.

  • «نَفْخَه وْشَمْخَه وْبَصَلَهْ فِي الْجِيبْ»

    All swagger and upturned nose, with nothing but an onion in his pocket.

    The saying targets a person whose outward manner is grand and haughty while their means are almost nothing. The puffed-out face and lifted nose are body images of conceit, not literal breathing, and the lone onion, a cheap everyday thing, exposes how little lies behind the show.

  • «اِلْبَحْرِ يْعُوزِ الزِّيَادَهْ»

    Even the sea needs another drop.

    However abundant something may seem, it can still depend on a small further contribution. Great totals are made possible by the little parts that join them; the image is not limited to money.

  • «مَا يِنْفَعَكْ إِلَّا خَمْسِتَكِ اللِّي في إِيدَكْ»

    In the end, only the small coin you actually hold will serve you.

    The proverb cautions against counting on money or help that belongs to other people. Its image is a small copper coin of little value, long out of circulation. Whatever others possess stays under their control, so it cannot be relied upon. What truly serves a person is the little they hold themselves.

  • «وَجَعْ سَاعَهْ وَلَا كُل سَاعَهْ»

    Better to hurt for a moment than to hurt all the time.

    The proverb sets a single spell of pain against pain that never lets up, and it sides firmly with the single spell. Enduring one hard hour is judged a better bargain than carrying a hurt that returns hour after hour.

  • «عَشَمْ إِبْلِيسْ فِي الْجَنَّهْ»

    About as much chance as the Devil has of getting into Heaven.

    The saying brands an expectation as hopeless. By likening someone's wish to the longing of Iblis, the Devil in Islamic tradition, for Paradise, a place he is believed to be barred from forever, the speaker signals that the desired thing is utterly out of reach, however eagerly the person clings to it.

  • «بَعْد مَا طَارِتْ سَاعِدْهَا بْقُولِةْ هِش»

    Only after the bird was gone did he shoo it into flight.

    The saying criticizes help offered after the decisive moment has passed. It describes someone who makes a gesture of support only when that gesture can no longer change the outcome.

  • «تَاكْلُهْ يِرُوحْ تِفَرَّقُهْ يِفُوحْ»

    What you consume is soon forgotten, but what you give to others leaves a lasting good impression.

    Private enjoyment passes without much trace, whereas generosity becomes visible through the benefit and goodwill it creates. The saying contrasts taking for oneself with giving to others, presenting kindness as something whose pleasant effects spread beyond the immediate act.

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