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Arabic proverbs

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Proverbs

Every proverb in this language, a page at a time.

  • «دَوَّرِ الْحُق عَلَى غَطَاهْ لَمَّا الْتَقَاهْ»

    The little wooden box kept hunting about for its lid until the two came together.

    The image is a small wooden container, not a jar or pot, roaming about until it meets its own fitted cover. A box and its lid are made for each other, so their meeting marks the joining of two parts that naturally belong together.

  • «إِنْ كَانْ لِكْ مَرَهْ خُشِّي، وِانْ كَانْ لِكْ رَاجِلْ اُخْرُجِي»

    Go in when you are kin to the mistress of the home; if your tie is to her husband, make your exit.

    The proverb contrasts two family connections when visiting a household. In this traditional saying, kinship with the woman of the household is presented as grounds for entering, because the visitor can expect a more open and accommodating welcome.

  • «مِنْ طَابْ رِيحُهْ يِدَرِّي عَلَى غِيرُهْ»

    When the wind favors a man, he winnows his grain even if the chaff lands on his neighbor's pile.

    The image comes from the threshing floor, where ريح means a favorable wind, not a pleasant scent. A farmer whose breeze is blowing just right goes ahead and winnows his grain, tossing it so the wind carries off the chaff, even though the flying husks settle on the heaps beside his. The neighbors end up with spoiled, dusty piles.

  • «اِلإِيدْ اللِّي تِتْمَد وَلَا تِضْرَبْشْ تِسْتَاهِلْ قَطْعَهَا»

    A hand raised to act but held back at the crucial moment is fit to be severed.

    The saying condemns a person who moves forward as if ready to act, then recoils. It treats retreat after such an advance as a shameful failure of nerve, especially in a confrontation.

  • «زَيِّ الطَّبْلْ صُوتْ عَالِي وِجُوفْ خَالِي»

    Just like a drum, all noise on the outside and nothing within.

    The saying mocks someone who talks big and constantly, yet whose words carry no real substance. A drum booms only because it is empty inside; the louder the boasting, the clearer the hollowness. Its word for "voice" belongs to proverbial phrasing; everyday speech typically uses a different word for sound.

  • «زَيِّ الْجِمَالْ حَنَكُهْ في كُدْيَهْ وِعِينُهْ في كُدْيَهْ»

    Like a grazing camel, its jaws in one patch of greenery and its eyes already on the next.

    The saying pictures a grazing camel, any single one from the herd, still chewing one dense clump of plants while its gaze has already settled on another nearby clump. It mocks a restless greed that never lets a person enjoy or finish what they already hold.

  • «اِللِّي مَا هُو لَكْ يُهُونْ عَلِيكْ»

    It is easy to spend money that is not your own.

    The proverb points to the ease with which someone may part with another person’s money or belongings. Since the cost does not fall on the person making the choice, the outlay can seem less serious than it would otherwise.

  • «اِلْوِسْخَهْ تِفْرَحْ لِيُومِ الْحُزْنْ»

    A day of mourning is a happy day for the slovenly woman.

    On a day of mourning nobody washes up, dresses well, or puts on ornaments. A woman who is always unkempt therefore has a rare chance to look no worse than anyone else. For her, the sorrow everyone shares becomes a quiet relief, because the usual contrast that shames her disappears.

  • «اِلْعِزِّ بَعْدِ الْوَالْدِينْ هَوَانْ»

    Once the parents are gone, honor is humiliation.

    The saying sets honor against humiliation and makes the death of one's parents the dividing line between them: whatever passes for honor once mother and father have died is, in the speaker's eyes, nothing but humiliation.

  • «اِلعَادِمْ عَادِمْ وَلَوْ كَانْ فِي السَّنْدُوقْ»

    What is bound to be lost will be lost, even if you lock it in a chest.

    The saying holds that whatever is fated to be lost will slip away no matter how carefully it is guarded. Its opening word refers to a thing destined to perish or go missing, not a destitute person. Even a chest, the household's most secure place and here spelled in a colloquial form, cannot rescue it.

  • «حَدِيتْكُمْ لَدِيدْ وِبِيتْنَا بَعِيدْ»

    Your conversation is a delight, but our home lies a long way off.

    On the surface, a guest is reluctantly taking leave. The company and conversation are a pleasure, yet the long road home means the visit cannot go on. The linking 'and' works contrastively, like 'but'. Enjoyment is fully granted, and distance is what ends it, not any lack of goodwill.

  • «قَالُوا: شَكَرْنَا غَنَّامْ. غَنَّامْ طِلِعْ حَرَامِي»

    We spoke so highly of Ghannam, and then Ghannam proved to be a thief.

    The saying describes a person whom others regarded as good, who then shows himself to be the very opposite of what was expected. Ghannam is a stock name standing for anyone, not a real individual, whose true character comes to light and clashes with the favorable opinion people had of him.

  • «زَيِّ الزَّقَازِيقْ كُل مَنْهُو شُوكْتُهْ في ضَهْرُهْ»

    They're like little spiny fish, each one carrying its own spine and minding only itself.

    The saying describes a group with no common purpose: each person looks after their own affairs, holds to their own views, and follows personal inclinations without regard for the others around them.

  • «اِلدُّنْيَا لِمَنْ غَلَبْ»

    The world belongs to the one who wins.

    The saying claims that the good things of this life, such as power, wealth and influence, belong to whoever comes out on top rather than to whoever deserves them most. Prevailing may mean defeating a rival, overpowering someone or simply coming out ahead, not necessarily physical fighting; those who lose are left with little to claim.

  • «اِلْبِسْ خُف وِاقْلَعْ خُف لَمَّا يْجِي لَكْ خُف»

    Keep trying different shoes until you find one that fits.

    The saying counsels patience with an unsuitable arrangement. Rather than rushing, complaining, or accepting a poor fit, a person should keep looking and making changes until a genuinely suitable option is found.

  • «اِللِّي تْرَافْقُهْ وَافْقُهْ»

    When you must keep someone company, try to get along with them.

    The saying advises accommodation in a relationship that cannot readily be avoided. Constant opposition toward a companion or associate can make shared time burdensome for both people.

  • «قَالُوا: يَا قِرْدْ رَاحْ يِسْخَطُوكْ. قَالْ: رَاحْ يِعْمِلُونِي غَزَالْ»

    Warned that he would be changed into something else as punishment, the monkey answered, 'Then they'll turn me into a gazelle.'

    The saying points to a condition already at the very bottom. A monkey, imagined as the ugliest of creatures, cannot be punished by a change of bodily form into anything worse, so any threatened transformation could only improve it. The joke lies in the monkey calmly treating a curse as a favor.

  • «زَيِّ حَدَّادِ الْكُفَّارْ حَيَاتُهْ وْمُوتُهْ فِي النَّارْ»

    Like an unbelieving blacksmith, he burns whether alive or dead.

    The saying pictures a smith who spends his working days bent over a burning forge and who, having rejected God, is expected to burn again after he dies. Fire surrounds him on both sides of the grave, so nothing ever cools for him. The trade is only the image; the saying is no slur on metalworkers.

  • «يَا مْعَزِّي بَعْدْ سَنَهْ يَا مْجَدِّدِ الْأَحْزَانْ»

    Offering condolences a year late only opens the old wounds again.

    The saying mocks any gesture that arrives after its proper moment has passed. Condolences belong to the days right after a death. Offered a full year later, they no longer comfort anyone and look more like a careless afterthought than real concern.

  • «يِخُش مِنِ الْعَتَبَهْ يِنَشِّفِ الرَّقَبَهْ»

    He's barely through the door before everyone's throat goes dry.

    A dry throat is the body's sign of strain: the mouth parches when someone feels cornered, awkward, or put on the spot. The saying's image of 'drying the neck' borrows that physical reaction to sketch a person who produces exactly this effect on others, and who does so the moment he steps inside.

  • «اِلْعَقْرَبَهْ أُخْتِ الْحَيَّهْ»

    The scorpion and the snake are cut from the same cloth.

    Two creatures known for their dangerous stings and bites are figuratively treated as siblings. The kinship marks likeness in harmfulness, not any real family tie: whatever small differences separate them, both bring the same pain to anyone who comes near, so neither can claim to be gentler than the other.

  • «اِللِّي يِعْمِلْ جِمِيلْ يِتِمُّهْ»

    If you do someone a kindness, see it through to the end.

    A helpful act loses much of its value when it is abandoned halfway. The saying urges a person who has begun doing someone a favor to finish the task rather than leave the recipient without the promised benefit.

  • «يَا عَم يَا مْزَيِّنْ، شَعْرِ رَاسِي اسْوَدِّ وَالَّا ابْيَض؟ قَالْ: دِي الْوَقْتْ يِنْزِلْ عَلِيكْ وِتْشُوفُهْ»

    "Barber, tell me, is my hair still dark or turning gray?" He answered, "Any second now it'll fall on you, and you can see for yourself."

    A customer in the barber's chair, respectfully calling the older man 'uncle,' asks whether his hair is black or white, meaning dark or graying. The barber says the cut hair is about to drop onto him, where he can look for himself. Asking is pointless when the answer is moments away and plain to see.

  • «تِسَايِسْ خِلَّكْ وِتْدَارِيهْ وِاللِّي فِيهْ شِيءْ مَا يْخَلِّيهْ»

    Treat him tactfully, but his ingrained disposition will not change.

    The proverb says that gentle, considerate treatment does not necessarily alter a person whose harmful disposition is deeply embedded. It contrasts careful outward handling with an inner trait that continues to shape the person's conduct.

  • «كُل لُقْمَه تْنَادِي أَكَّالْهَا»

    Each mouthful summons the one it is meant for.

    The saying holds that whatever share of food or fortune has been set aside for someone will find its way to that person. The morsel is pictured as almost alive, summoning the one it belongs to. The word for its eater can suggest a heavy eater, but here it simply means the person destined for that morsel.

  • «عُمْرِ الدَّوَّارَهْ مَا تْرَبِّي كَتَاكِيتْ»

    A woman who is always out wandering from house to house will never bring up a brood of chicks.

    In its traditional outlook, the saying criticizes a woman who rarely stays in her own home, habitually calling on neighbors and drifting through the lanes. Because she is never present, even a modest task such as rearing chicks goes unattended, and her household falls into neglect.

  • «اِللِّي مَا تِمْسِكْ بُوصَةْ تِبْقَى بِينِ الصَّبَايَا مَتْعُوسَةْ»

    Among the girls, a girl who will not handle a piece of corn stalk ends up abased.

    The wording imagines a girl among other girls being slighted for not handling a piece of corn stalk. Its humour lies in the absurdly flimsy qualification: something nearly worthless is treated as if it determined her standing. The gendered image belongs to the saying and does not endorse stereotypes about girls or women.

  • «مِنْ تَقَدَّمْ يِتْقَايَا الدَّم»

    Those who push to the front end up spitting blood.

    The saying holds that moving to the front, whether by gaining rank, authority, or prominence, never comes with a guarantee of safety. Whoever rises above others becomes exposed and may later face a painful reversal; the image of vomiting blood is a figure for severe suffering or ruin, not a literal medical claim.

  • «عَمْشَهْ وِعَامْلَهْ مْكَحَّلَهْ»

    Her own eyes are sore and bleary, yet she poses as the one who lines everyone else's with kohl.

    The saying mocks someone who claims skill or authority in exactly the area where they themselves are plainly deficient. A woman whose own eyes are weak and watery sets herself up as the expert who tends and beautifies other people's eyes, and that contradiction is the whole joke.

  • «اِلْمِسَافِرْ مِسَافِرْ وِالْمِقِيمْ مِقِيمْ»

    The one who leaves must go his way, and the one who stays keeps his place.

    People live under different circumstances and move toward different goals. The repeated wording, traveler is traveler and resident is resident, carries the point: each role has its own course and should not be blurred into the other. Neither path cancels the other, and each person is entitled to follow his own direction.

  • «يَا اللِّي بِتِغْمِزْ فِي الظَّلَامْ مِينْ حَاسِسْ بكْ؟»

    You're winking in the dark. Who's going to notice?

    The image is a wink given in pitch darkness. A wink exists to be seen and understood, so making one where no eye can catch it defeats its whole purpose. The proverb asks a mocking question that already contains its answer: nobody. The focus is wasted signaling, not flirtation or mischief.

  • «نِغْسِلْ غَسِيلْ هَلْسْ وِنِتِّكِلْ عَلَى الشَّمْسْ»

    We do a careless job of the washing and count on the sun to make it right.

    The saying pictures someone who rinses laundry carelessly, leaving the dirt in, and then hangs it out expecting sunshine to finish the job. Here هلس means a sloppy, unfinished wash, not its other senses of nonsense or frivolity. Sunlight only dries fabric; it removes no stains. The image exposes hope that a later stage will make up for neglect.

  • «أُمِّ قْوِيقْ عَمَلِتْ شَاعْرَهْ فِي السِّنِينِ الْوَاعْرَهْ»

    Even Umm Quwayq has turned poet in these trying times.

    The saying mocks someone incapable of handling a task who nevertheless steps forward when circumstances make that task especially difficult. Its force comes from the mismatch between limited ability and the gravity of the moment.

  • «يَا دَاخِلْ بَلَا مَشْوَرَهْ، إِنْ مَا مَسْخَرَكِ الرَّاجِلْ تِمَسْخَرَكِ الْمَرَهْ»

    Walk in without asking leave, and if the men don't laugh at you, the women will.

    Whoever steps into someone else's house without the occupants' consent, which is what مَشْوَرَه conveys here rather than mere advice, leaves himself open to humiliation. Ridicule is all but certain: should the men of the household let him pass unscathed, the women will make him a laughingstock.

  • «يَا مْدَاوِي خِيلِ النَّاسْ حُصَانَكْ مِنْ عَنْدِ زِرُّهْ عَايِبْ»

    You who doctor everyone else's horses, your own horse is defective right at the root of its tail.

    The saying mocks a person who shows off skill in solving other people's problems while ignoring an obvious flaw in their own affairs. The horse doctor who tends every neighbor's animal yet rides a mount whose defect at the root of its tail shows plainly in its gait captures that misplaced attention.

  • «كُتْرِ الْقُولْ دَلِيلْ عَلَى قِلِّةِ الْعَقْلْ»

    Talking too much reveals a shortage of good sense.

    The saying links excessive talk to poor judgment. Someone who chatters without restraint, filling every pause with words, is taken to be showing that they lack the composure and discernment of a thoughtful person, who chooses carefully when speaking is worthwhile.

  • «اِلسَّقْرْ سَقْرْ وِلُهْ هِمَّهْ يِمُوتْ مِ الْجُوعْ مَا يِنْزِلْ عَلَى رِمَّهْ»

    A falcon remains a falcon, proud to the last: it would rather starve than stoop to carrion.

    The saying holds up the falcon (السقر, a colloquial spelling of الصقر) as a model of self-respect: a creature of high spirit that hunts live prey and would sooner starve than descend on a رمة, a rotting carcass. The proud hunter is set against the scavenger feeding on decay.

  • «غُزِّ الْكِرَا مَا يْحَارْبُوشْ»

    Soldiers fighting for hire won't put up a real fight.

    A fighter who takes up arms for pay has no real stake in the outcome. The point is his motivation, not his skill: when danger peaks he has little reason to stand firm, defending neither home nor people, only a wage useless to him if he falls.

  • «اِلْمَكْتُوبْ مَا مِنُّوشْ مَهْرُوبْ»

    There's no running away from what is fated.

    The saying holds that whatever has been destined for a person will reach them no matter what they do. 'The written' means fate as already recorded, not a physical document, so efforts to dodge it are futile, and the wise response is to accept what arrives rather than flee it.

  • «زَيِّ الدَّبُّورْ يِدِن بَلَاشْ»

    Droning on for free, just like a wasp.

    The saying likens a person to a wasp, an irritating, droning pest rather than a bee, that hums on without anyone asking it to and without anything useful coming of the noise. It targets people who volunteer speech, advice, or similar effort on their own initiative and keep going long after anyone wants to hear it.

  • «مَا كُل طِيرْ يِتَّاكِلْ لَحْمُهْ»

    Not every bird is fit for the table.

    Things or beings that share the same kind are not therefore equal in worth. The image is of birds, of which only some are fit to eat, but the point is moral and practical discernment, not culinary advice: within any category, some are wholesome and others harmful.

  • «أُم بَرْبُورْ تِجِيبِ الشَّاب الْغَنْدُورْ»

    A mother with a runny nose can give birth to a handsome, well-groomed young man.

    The saying contrasts a mother portrayed, through crude imagery, as foolish or simple-minded with her handsome, carefully groomed son. Its force lies in the surprise that someone mocked for lacking refinement may have a son admired for his appearance.

  • «عَلِيكْ يَا صْعِيدِي وَلَوْ بَاتْ»

    It's still your job, Saʿidi, even if it runs into tomorrow.

    The saying insists that a responsibility does not dissolve because time ran out. Here bāt, literally 'spent the night,' describes unfinished work carrying over to the next day, not the worker sleeping somewhere. If the job is not done by nightfall, it remains yours the next morning; postponing it changes nothing.

  • «إِيشْ جَابْ لِجَابْ؟!»

    How can these two be compared?!

    The saying rejects a comparison between two people or things when the difference in quality, standing, or merit is too great for the comparison to seem reasonable.

  • «اِللِّي كَتَبْ غَلَبْ»

    God's written decree will prevail.

    The proverb says that the one who has written the outcome prevails, casting God as the ultimate author of events and placing his determination above human plans.

  • «اِلْفَرَسِ الْأَصِيلَهْ مَا يْعِيبْهَا جْلَالْهَا»

    A thoroughbred mare is not shamed by a shabby blanket.

    A person of genuine quality keeps their worth whatever they happen to be wearing. Ragged or humble clothing cannot take away standing that already rests on real character. The point is not that appearance never matters, but that a shabby exterior does not lower someone whose merit is genuine.

  • «فِي أَفْرَاحْكُمْ مَنْسِيَّهْ وِفِي أَحْزَانْكُمْ مَدْعِيَّهْ»

    At your celebrations I'm forgotten, but at your times of grief I'm the one you send for.

    The speaker, grammatically a woman, protests a lopsided relationship with a whole household or circle. When they celebrate, she slips from their thoughts. When grief or hardship arrives, she is suddenly remembered and called for, because her help and comfort are now wanted.

  • «يَا خِيبَهْ خَيِّبِيهْ. قَالِتْ: أَدِينِي بِالجِهْدْ فِيهْ»

    Someone told Folly, 'Go make a fool of him!' and Folly replied, 'What do you think I've been doing? I'm already giving him everything I've got.'

    Here khibah means dullness or foolishness, the opposite of cleverness, not everyday disappointment or failure. Dullness is pictured as a figure ordered to make someone stupid; she answers that she is already putting her full energy into the job. The joke is that this person's foolishness needs no outside push.

  • «اِلْعِينْ مَا تِعْلَاشْ عَ الْحَاجِبْ»

    A person of low standing cannot climb above those who are truly his betters.

    The saying mocks a person of low standing who tries to place himself above someone more distinguished. The speaker treats the attempt as out of place, since it runs against the accepted order of rank.

  • «قَبْلْ مَا شَافُوهْ قَالُوا: حِلْوِ الْقَوَامْ زَيَّ ابُوهْ»

    They were calling him as handsome as his father before they had even laid eyes on him.

    On its face, the saying describes people who announce that someone is handsome and fine of figure like his father before they have set eyes on him. The praise comes before any look at the person, so the verdict rests on what was assumed about him rather than on anything actually observed.

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